![](../dot_clear.gif) |
Peter
Walsh, Davis Museum and Cultural Center, Wellesley College
The advent of the World Wide Web and other technologies that quickly
and easily distribute electronic reproductions of art images have led
many to wonder if original art works have become obsolete or irrelevant
in the new Information Age. Some museum professionals have even worried
that the Web will eventually destroy the art museum altogether, once
potential visitors and patrons have ready access to large numbers of
digital art images in their own homes.
This paper will look at the "the original" in an era of digitized
reproductions to see if it has, in fact, lost its long-held power
over the human imagination. The paper will begin with the biological
origins of image-making in human pre-history and will examine how
copies and reproductions have affected the cultural significance of
art objects over the centuries, from Roman copies of Greek originals,
to the engraved art reproductions of the Renaissance, the chromolithograph
of Victorian times, to the high-tech reproductions of today. It will
show how the process of reproduction itself changes meaning in art,
in ways which are both positive and negative. It will conclude with
an examination of how new technologies and the rapid distribution
of art images are likely to change the meaning of the original in
our own era.
![](../dot_clear.gif)
![](../mw98-line.gif)
Last modified: April 2, 1998. This file can be found below http://www.archimuse.com/mw98/
Send questions and comments to info@archimuse.com
|