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Alicia Haber
Alicia Haber, director of MUVA Virtual Museum of Art,s is a graduate
of Instituto de Profesores Artigas (Montevideo, Uruguay) and studied
at the University of Illinois at Urbana Champaign (U.S.A). She teaches
art history since 1973 and since 1985 at Instituto de Profesores Artigas.
She is senior art critic in the cultural section of El Pais since 1982,
and is artistic advisor and exhibition curator for the Department of
Culture of the Municipality of Montevideo since 1988. She is the author
of various books and papers including Latin American Art in the Twentieth
Century edited by Edward Sullivan (chapter on Uruguayan art, published
by Phaidon Press in English and by Nerea in Spanish), El arte de Juan
Manuel Blanes in Spanish and The art of Juan Manuel Blanes in English
(co-authors: Katherine Manthorne and Edward Sullivan published by the
Americas Society, New York), Arte uruguayo contemporáneo; cinco propuestas
(with an essay by Roberto de Espada, published by Banda Oriental), Vernacular
culture in Uruguayan art (published by Florida International University),
an essay on Contemporary Uruguayan Art and private life in the third
volume of Historias de la vida privada en el Uruguay (directed by José
Pedro Barrán, Gerardo Caetano and Teresa Porzecanski, published by Taurus,
Spain). She has also published articles on Uruguayan art history in
the magazines Artinf (Argentina), Arte en Colombia - Art Nexus (Colombia),
Plástica (Puerto Rico), and El País Cultural (Uruguay). She has
written texts for numerous catalogues, including the ones published
for the retrospectives of Carlos González, Luis Solari, Francisco Matto,
Jorge Damiani and Tola Invernizzi, and has undertaken special research
such as "Montevideo y la plastica" (published by the Department of Culture
of the Municipality of Montevideo). She has also contributed articles
on Uruguayan art to the MacMillan Publishers' Encyclopedia of Art. She
has been invited as a panelist to lecture on her specialty at diverse
international congresses and meetings, participating as speaker and
paper presenter in events held by AICA (International Association of
Art Critics), LASA (Latin American Studies Association), International
Congress of Americanists, and CAA (College Art Association).
As a scholar of Uruguayan art she has given lectures at various
Uruguayan and foreign institutions (University of Texas at Austin,
State University at San Diego, Museum of Latin American Art of the
OAS in Washington, University of Chicago). She has carried out research
for the University of Texas at Austin while on a Fulbright Grant for
Senior Researchers (1985). She received the Rockefeller Foundation
Mentor Grant for the College Art Association Annual Conference (1995),
the Chicago Department of Cultural Affairs - Chicago Artist International
Program CAIP grant to work at the Museum of Contemporary Art of Chicago
(1995), and obtained a Fulbright grant for research on art administration
to work at the Museum of Contemporary Art of Chicago and the School
of the Art Institute of Chicago (1997). She has served on the juries
of numerous competitions. In her capacity as curator she has organized
dozens of exhibitions, including retrospectives of Carlos Gonzalez,
Luis Solari and Francisco Matto, and "Life in a boundless land: the
gaucho scenes of Juan Manuel Blanes" at the Americas Society of New
York, 1994 (which traveled to museums in Miami and Tucson during 1995).
In 1988 she was elected the best Latin American critic of the year
by the Art Critics Association of Argentina. She is a member of the
ICOM, AICA, CIMAM, ALAA and CAA.
Alicia will present The
Importance of a Virtual Museum in a Third World Country: The Experience
of MUVA, Virtual Museum of Arts El Pais.


Last modified: January 15, 1998. This file can be found below http://www.archimuse.com/mw98/
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