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The Whys and Hows
of Deinstitutionalization
As a burgeoning "virtual institution," Franklin Furnace is pioneering
new territory. In the early 90s, Franklin Furnace began to take steps
to "dematerialize" as a result of the shared perception of both the
Founding Director and the Board that the current model of an alternative
space might not adequately serve the community of avant-garde artists
now spread beyond the boroughs of New York to places across the nation
and around the world. The process has evolved beyond our expectations:
In 1993, Franklin Furnace's artist book collection was acquired by MOMA;
in 1996 it mounted its 20th Anniversary show to conclude its exhibition
program with a bang, and it also launched its website as its public
face on February 1, 1997. Our loft was sold in September, 1997, and
in many ways, the anxiety that lay behind the question of what a "virtual
institution" might be or what it could accomplish was unleashed. We
now consider the point we have reached to be an opportunity to re-consider
the role of Franklin Furnace in relation to the community of artists
and the culture at large, programs that will best serve to fulfill our
mission, the basis upon which Franklin Furnace can and should sustain
its mission.
Franklin Furnace will be remembered in art history for having championed
art undervalued by mainstream institutions -- artists' books, temporary
installation and performance art; and additionally for standing up
for artists' right to freedom of expression. At present, Franklin
Furnace is continuing its rethinking process without preconceived
notions as to the end result -- in one, two or five years. Franklin
Furnace is exploring the feasibility of becoming a peripatetic institution
-- spending one year in Beijing, another year in Santiago, still another
in Rotterdam-- to explode the identification of the institution with
its real estate and to undertake projects that emerge from local needs
but may attract an international audience. Franklin Furnace is developing
a cybercast program of performance art, Franklin Furnace @ Pseudo.com,
that expands the organization's history of developing and preserving
a new artistic medium and offering resources to emerging artists,
while enabling us to re-establish our unique niche at the visual end
of the performance art spectrum. Additionally, Franklin Furnace is
commencing a multi-year project, Avant-Garde New York, 1976-96, through
which Franklin Furnace will develop its institutional archives, which
contain primary materials that increase in value with each day that
passes.
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Last modified: April 6, 1998. This file can be found below http://www.archimuse.com/mw98/
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