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Published: March 1999.
Respondent
Dakin Hart , Fine Arts Museums of San Francisco, USASession: Neon Paintbrush
Dakin will respond to Peter Walsh's plenary paper, offering a rethinking of the beliefs and prejudices museum's have that we might want to ditch in the digital age. He'll define 'Maxims for Museums' based on Esther Dyson's article in Wired in July 1995, and relate them to Peter Walsh's 'Neon Paintbrush'.